Monday, November 10, 2014


EVA Foam Crafting – Part 1


EVA foam is an amazing crafting material which shines in particular for making armour and props on a budget. This guide will cover many ways to work with foam!
(This article was written from a British perspective, therefore products that are available exclusively in America/Europe I won’t be able to cover and prices/locations are for this side of the pond.)
What can you make with foam?
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WM Armory – Photo by http://joanneduong.com/
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Sakara Costumer and Model – Photo by Magic Bean Studio
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Punished Props  – No Photographer Credited
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My own build made from EVA Foam!
What is EVA foam?
A lot of people have heard of ‘foam’ armour but don’t know what type or where to get hold of it. EVA foam is used to make yoga mats and floor mats, and also comes in thinner varieties sold as ‘craft foam’.
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The most common types of EVA foam are tiled floor mats (10-15mm thick), rolled yoga mats (7mm~ thick) and craft foam which is 1-3mm thick. Here’s what the different thicknesses look like:
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You can buy it online by searching ‘EVA foam mats’, but also check your local home stores and supermarkets because they may stock it for a lot cheaper, and you won’t have to pay for postage!
At my local home store EVA is priced as follows:
7mm Yoga Mat 4ft by 7ft – £17.
4 interlocking multicoloured mats – £3.
8 black interlocking mats – £8.
You can get thin craft foam from Hobbycraft in A4 and A3 sizes for 50p-£1 a sheet.
Do not get EVA foam confused with any of these types of foam!
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Why is EVA foam awesome for making armour?
-It is LIGHT so it won’t weigh you down like metal or fibreglass.
-It is FLEXIBLE and DURABLE.
-It is SANDABLE so it can be carved, polished and made to imitate other materials.
-It is NON-TOXIC unlike materials like fiberglass so it’s totally safe to work with in your own home (or cramped uni accommodation!).
-It is CHEAP. This is the big one. EVA is much cheaper than most other armour making materials.
Patterns and Design
Choose the thickness of foam that’s appropriate for your piece. Thinner foam will bend more easily, but will be flimsier, whereas thicker foam is more durable and holds its shape better, but may not be flattering for more figure-hugging designs.
Decide on your design and get some good references, or find a pattern! If you’re just starting off, try these patterns for Commander Shepard’s armour: http://www.julianbeek.nl/blog/ The gun pattern I am using is from Punished Props. When cosplaying, it’s best to save time where you can, so I used this pattern because it is already perfect for what I need.
A good way to make patterns is to wrap yourself in cling film and then papers tape, then trace the shape directly on to your body. You can then cut out the pattern from the tape! Alternatively you can just make measurements or design the shapes onto a mannequin or duct tape dummy.
If the piece you’re making is a complex shape or it doesn’t conform to your body, try making a mock-up out of newspaper and tape first! To make this shoulderpad, I tried several paper mock-ups until I was happy with the shape. You can then use the paper pieces as your pattern.
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Cutting and Sanding
Foam can be worked with basic sandpaper, but the best tools to get if you’re willing to invest are a Dremel and a belt sander. You can get a Dremel for £20-£70 depending on the model that you buy and it comes with  various attachments.
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A dremel is great for any detail work and also for sculpting the foam. Here I’ve used the basic sanding attachment to shape out the handle for my gun.
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To cut, you can use a scalpel, stanley knife, scissors or a hot wire, depending on the thickness of the foam. If you have access to one, a band saw is also good. Whatever you use make sure it is sharp!
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Once you’ve cut and sanded your foam into shape, you will probably need to clean up any edges or details. To sand the edges of this gun, I clamp the piece in place and use the dremel sanding attachment. You should use a mask and goggles for this because a lot of foam dust will be generated, and it will also stick to you and your clothing.
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To score lines in foam you can also use your dremel, alternatively you can do this with a scalpel, or if it’s thin foam you can just use a biro. This is great for detail work! For this gun I need to sand down the pattern on the underside of the foam, in order to have a flat surface to bond together. You might also need to do this if your foam is too thick, or if both sides of the foam will be visible. You can sand the foam down with a belt sander (for large pieces) or the dremel (for small pieces).
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Another method for detail work is to use thin craft foam to make panels or small details, then glue them onto the main form. This is how I created the shapes for the top of my gun:
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Heating and Bending
One of the great advantages to foam is that it can be heated to bend into curves. The foam is heated, bent and then retains its shape after cooling. To heat-form foam you will need a heat gun. You can heat-form using the oven but I won’t be covering this technique, as I find it’s much easier to control heating and bending your foam with a heat gun and it’s much harder to accidentally melt the foam (and you won’t ruin your oven if you do).
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You can get these in home stores or online for about £20, but you should also ask your friends/family if they have one you can borrow when you get started – they’re used for stripping wallpaper and paint.
If a piece of armour is going to be curved into shape, you will typically need to make the pattern a bit bigger, as the thickness of the foam reduces the circumference of the foam as it bends. The thicker the foam, the more extra length/circumference you will need, and the harder it is to bend, so choose your thickness carefully. I’m using 7mm.
To heat the foam, make sure there are no fire hazards near by (e.g. curtains, carpets, upholstery) and then turn on your heat gun to allow it to heat up. Once the heat gun is hot, heat both sides of the foam until the foam is pliable. The time this takes varies depending on the thickness of the foam and the strength of the heat gun but usually won’t take more than a few minutes. If it’s your first time using the heat gun, test on some scraps first. If the foam discolours or bubbles, you’ve overheated it.
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For this breast form, I’m heating the piece of foam repeatedly and punching it into the bowl with my hand (I’m wearing a glove because it needs to be quite hot). I then hold it until it cools.
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You can mold around the outside of a form too, or you can simply bend the foam into shape with your hands. Foam is quite safe to mold on a mannequin or yourself as long as it’s over fabric, just use gloves if you need to heat it repeatedly. Hold the foam in shape until it is cooled, and the foam should keep the shape!
For more complex curves, you can separate the form into several pieces and bend them separately, then glue them back together again. This technique is great for helmets but you will need to sand down the joins afterwards to make a smooth curve. This is a technique that works well with pepakura templates.
HELP! My foam isn’t bending/keeping it’s shape!
Solution #1 – your foam isn’t hot enough. Try heating it again. When foam is hot you can usually press it with your finger and the indent will stay there.
Solution #2 – You’re letting go of the pieces before they have cooled. Foam will spring back into shape as it cools unless it’s held in place.
Solution #3 – with thick foam, try over bending the piece – so if you want two edges to meet, bend them past each other. Foam naturally springs back a little from the held position, so if you over bend it it should spring back into the correct shape.
Solution #4 – for more extreme curves, you will usually need to heat the foam, bend it, heat it again, bend it a bit more, etc… until it’s in the shape you want.
Gluing
To finish your basic foam piece, you will usually need to glue pieces together. With any edge or surface, make sure it is sanded smooth and dust free. If you are joining two pieces together on a curve, you will need to sand the edge down to conform to that curve.
You can use a number of different glues on foam.
Hot Glue – a lot of people love hot glue. Hot glue bonds as it cools and can stick unevenly cut surfaces together. Personally I don’t use hot glue because if you heat the piece, it will fall apart, and it’s not the strongest bond in the world and I like to know pieces of my armour aren’t randomly going to fall off. It’s also very messy (and hot, ow). But it’s great for a bond that you aren’t going to put under pressure and it’s also cheap. Additionally it’s easy to peel pieces off and re-stick them if you do something wrong. You can get glue guns in home/hardware/art stores.
PVA Glue – PVA is very cheap and can be used for sticking layered surfaces together (such as details). PVA however takes a LONG time to dry on foam so you will typically need to leave it overnight. Get it from arts and crafts stores or supermarkets.
All Purpose Glu & Fix – moderate strength glue which is good for non-pressure joins. It can be used as a regular glue or a contact glue, where it is applied to two surfaces then they are brought together for an instant bond. Glu & Fix joins can often be pulled apart if they’re glued wrongly, but may damage the foam. You can get this stuff from hobby/art stores and supermarkets, and it doesn’t stink so it’s safe to use in the house.
IMPACT Instant Contact Adhesive (US Alternative – BARGE) – to say I love this stuff would be an understatement. This is a very high strength contact glue. You can use it to glue pretty much anything to anything and I use it for high-pressure bonds such as straps (and most others things… because it’s awesome). It is however very expensive, and has a very strong smell, so should be used in a well-ventilated area.You can also get a re positionable kind which allows for adjustment as the glue dries. Get it online or from home stores like B&Q and Homebase.
HOW TO USE CONTACT GLUE
Contact glue is very strong, but it can only be used on joins where the two surfaces will meet evenly, so make sure you sand down your edges first. It creates an instant bond so can be used for those awkward joins – no need to wait for it to cure or clamp it.
Once you have two smooth surfaces that will meet evenly, apply a thin layer of glue to each. Wait 3-10 minutes for it to become touch dry or tacky. (Check the instructions on the back of your glue container). Bring the two surfaces together and you should get an instant bond. Leave it for 24 hours to fully cure and you pretty much can’t pull it off (you will rip the foam rather than the glue).
Here’s a gun that I glued together. I used thin foam to create the detail panels – you could use PVA glue to glue them on if you’re patient enough to let it dry (I’m not). You can see that I still need to do more work on sanding down the edges!
gluing
So with all of these techniques you can make your basic foam armour set, and if you want, that’s where you can leave it. But if you want a truly polished set, you’re only 50% done – the next article will cover priming, painting, polishing and weathering! If you have any questions, problems or just want to get in touch, drop me a line at Nat Martin – Artist and Cosplayer.

Reference:http://cosplaynation.net/2013/09/18/eva-foam-crafting-part-1/

Armor Strapping

 Armor Strapping

 This tutorial is to show you what I've learned on how to attach/wear armor. Since I love doing armor intensive costumes this is a subject I studied and experimented a lot on.
First - there's always the easy way out on this one and using velcro.
There are a lot of pros to using velcro instead of "strapping" your armor - but personnally I find that there is too many cons to use this method on most of my cosplay. The biggest of these cons is that I usually wear sports "underarmor" (special black garment that keeps me dry and cool) and if I had velcro sewed all over my body suit, it wouldn't act as it's suppose to - and since my cosplays don't have armor in the same place, I don't want to use a different body suit for all my cosplay.
However, if you want to go that way, here are some very helpful tips:
  1. Velcro will not stick to fabric - no matter what you use: don't get me wrong, it will for a while - but if you want to avoid wardrobe malfunctions in the middle of a con take the time to sew your velcro to the fabric part under the armor
  2. Use the right velcro: there are various "strength" for velcro - choose it well depending on the weight of the piece that has to be worn - using industrial strength velcro when not needed will only put stress on your velcro pieces when removing the pieces of armor and may tear your costume. In short, the stronger the velcro - the more you put the durability of your cosplay at risk.
  3. Use the correct color: Velcro is sold in many colors - just make sure you use something similar to the piece it will sticked/sewed to.

Moving on to the real part of this tutorial - how to attach and wear your armor. I'll be going over the different pieces of a full plate armor set and how they should be strapped and worn. I'll also cover 2 different sort of armor for each pieces - form-fitting armor and regular armor... as you won't be using the same technics for the 2 styles.

Read more: http://www.fullmetalsam.com/armor-strapping/
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Sabatons - Feet                                                                                                 

 
 
As you can see on this picture - this part is about the armor you wear on your feet: the sabatons. This is also one of the section where I won't go into detail on form-fitting vs regular since they would be strapped the same.  Here is how I do it:
  1. This strap goes behind the heel and is attached to each side of the sabaton - it will keep the armor close to your leg. However, if you've got a plate to cover your heel (like in the picture) I'd go the same way as you can see in the picture. I'd use either a snap or a buckle to attach the snap to the heel plate
  2. This strap goes below the toes - don't put it too close to the front of your feet though. This strap will keep the armor on your feet when walking (make sure your sabaton is either flexible or made from overlapping plates so it can follow the movement)
One more tip - use fabric elastics.

Read more: http://www.fullmetalsam.com/armor-strapping/
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Greaves - lower leg                                                                                          

 

Regular Armor
I consider regular greaves as armor that will not cover your whole lower leg - just the front... style that will cover the whole leg is discussed in the form-fitting section.
Regular Greaves are pretty straight forward to strap and wear - I suggest using 3 straps.
  1. Placed closer to the heel (bottom of the greave) and goes around the leg
  2. Placed over the calf - not too close to the knee (a bit higher than the middle of your greave)
  3. That one I use if I don't have knee armor or the knee armor is not attached to the greave - I place it a the top of my calf and the strap will have to go over the calf (as in behind the knee) as it's going to "sit" on calf and when tightened will keep the greave at the correct height on the lower leg
Another tip - use adjustable straps here (through belt buckles or plastic "snap" buckles) as elastics just don't cut here and they usually distort the greaves when not the right length (too short).
Form-Fitting Armor
The trick here is to find a seamless way of closing the armor - here is mine: using a zipper. However there is a way to make it appear seamless and I think that in this case a picture is really worth a thousand words :)

As you can see in this picture is that you need to cover the zipper with the material you're using for your armor - however you have to leave the zipper enough space to be able to zip it up and down. That's why only the first layer of material goes the "whole" way and will meet the other side. But a second layer is needed to add thickness (enough so the thing (see the grey square in my picture) that zip will not touch the first layer (more than 1 layer might be needed depending on the material and zipper you're using). Then I use hot glue to stick the zipper to the underside of my armor piece on both side. It's a tricky method, because there's a lot to watch out for so it looks good - but it's very efficient and makes the armor really easy to put on.
Other tips on the zipper method:
  • Use a zipper that will be 2 - 3 inches longer than you would need... it's going to make it easier to zip it and you can always tuck the excess zipper inside your armor
  • Use only a little hotglue - well enough to make it a good bond but be careful so that the hotglue don't spill on the zipper's teeth or close to them - cause the zipper will get caught in the hotglue and be very difficult to zip.

Cuisses - thighs

 
Regular Armor
As you can see in the picture - there are 3 important straps for cuisses armor.
  1. One strap just below your crotch that goes all the way around your thigh
  2. One strap closer to your knee - again goes all around your thigh
  3. The most important strap, this one is placed at the top of you plate and will be attached to your belt
The importance of the 3rd strap is that for this kind of armor (cuisses) the thigh does not provide any part of the body the plate can "sit on"... it's always going to fall if you don't have that 3rd strap attaching it to your belt. Another tip - is don't make the 1st and 2nd strap too tight... it will not be confortable to wear - since there a lot of movement at the thigh level and we're talking about big muscles (meaning that when flexed they grow in size significantly), it's better to allow some space as far as strap length is concerned.
Form Fitting Armor
No real trick here - use the same technic as the greaves armor.


Tassets

 
The tassets are just armor plates that are hanging off the breatplate. So the 1st and 2nd strap are either attached to your breastplate or our belt. A quick tip however - attaching those to your breastplate with actual straps (instead of using something like snaps or glue) will help in keeping your mid-body flexible... meaning make it easier to sit down  :)


Vambraces - lower arm

 
Regular Armor
Another easy one - as you can see in the picture - using grommets and a single strap to bring both side together is an easy way to attach vambrace. On the other hand, if you need to use straps... I recommend using 3 straps: #1 near the hand, #2 near the elbow, #3 in the middle. Why the 3rd one you ask ? - depending on which material you're using (speaking from my experience with foam) it may distort your vambrace because there's no support in the middle to bring the side together... so using that 3rd strap will make it look better.

Form Fitting Armor
Again - using the zipper method explained in the greaves section will work here... make sure to position the zipper on the inside (not below your arm, but on the side facing the other arm) as this is the place where a seam is less likely to get noticed.
Also making the vambrace "closed" (no seam) will also work... however you have to think that you hand need to get through it for you to be able to wear it - so measure that hole at the end of your vambrace so your hand can squeeze through, but will not be big enough for the vambrace to fall easily. Depending on the material you're using, cutting a notch at the end will help squeeze the hand through with keeping the hole quite tight - doing this will only work on flexible material (like foam : P)


Vambrace Guards - elbow

 
Regular Armor
As you can see on the picture - I recommend using only 1 strap here... positioned in the middle of the elbow (where it flexs). This only strap will keep this piece of armor in place correctly. However, better strapping would be to include one at the top (that would go over your biceps) and one at the bottom (that would go over the top part of your lover arm). This would secure this piece of armor adequately - but since most of my vambrace guards were not made to be flexible (using glue and foam), it would have put to much stress on the piece and torn it... that's why I sticked to the 1 strap instead of using 3.


Vambrace Upper Cannons - biceps

 
Regular Armor
This piece of armor has the same problem as the cuisses - on the biceps it will not find any place it can "sit on" and will always fall to sit on your vambrace guards and that doesn't look good and it impairs movement of the arm. The way to keep it in place is to use 2 straps (as shown on my picture):
  1. The most important one - that will keep the upper cannon in place - is attached to the top of the upper cannon and connected to the Pauldron. If you don't have a pauldron to connect it to - it needs to go to the gorget or directly to the breastplate
  2. If the piece doesn't go all the way around the biceps, 1 strap is needed here on the side to help keep it in place

Form Fitting Armor
As for form fitting armor - I would only use the 1st strap (attached to the pauldron) 'cause I'm assuming the upper cannon is going all the way around the biceps. I would also recommend making the strap not as tight as you'd think... leave a little bit of slack - it will help you move your arm a bit farther.
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Pauldrons - shoulders

 
The pauldron is a pretty easy to wear - however it's a bit hard to keep at the right place... mostly because on Anime characters, they are usually pretty fancy and oversize. The trick is the 2 straps you see in my picture:
  1. This is the most important strap - it's stuck to the top of your pauldron and attached to a gorget or one of the shoulder strap of the breatplate. It's going to keep the pauldron from falling.
  2. This one is mainly for stability and to keep the pauldron from moving from front to back while wearing the armor and moving your arm. It should be at the bottom of your pauldron and go around your biceps (if you're wearing upper cannon, the strap should go under your armpit).

Breastplate - Torso

 
 The breastplate is pretty self-explanatory - if not, look at the picture you see the straps pretty clearly.

However - a note on form-fitting armor... usually a form-fitting breastplate will have to be broken down in various pieces to be truly form-fitting and enable movement. For an example you can check my gallery to look at either my custom mando (look at the back) or at Cecil Harvey Dark Knight reference pictures. In these cases I like to use what I like to call a "straps net" - which is essentially a net of straps that will sit on your shoulder and tie around your waist (like a breastplate) to which the piece of armor are going to be stuck to. The number of straps and how they are positions is really based on how many pieces of armor you have to wear and how they weight. The trick is to have just enough, since you don't want the straps to be showing too much between the pieces, but for them to be able to hold the armor in place.

Read more: http://www.fullmetalsam.com/armor-strapping/
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